Outlander devotees are eagerly anticipating the eighth season of the popular Starz series, set to premiere in early 2026, with the cast hinting at the final series, reports the Daily Record.

In the interim, many fans are re-watching the show during the Droughtlander, while new viewers are discovering the epic fantasy series for the first time.

The inaugural season was packed with pivotal moments, but episode seven’s The Wedding continues to be a fan favourite, marking the moment Jamie (portrayed by Sam Heughan) and Claire Fraser (Caitríona Balfe) were united forever.

This episode saw Claire compelled to wed Jamie for protection after her unsuccessful attempt to travel back through time, with the 20th-century time traveller gradually falling for the 18th-century Highlander.

The episode signified a turning point in Outlander and the commencement of Jamie and Claire’s legendary love story. However, those unfamiliar with the books may not realise that the TV adaptation made several significant alterations from Diana Gabaldon’s original text when depicting the wedding.

Outlander’s executive producer Ronald D. Moore previously disclosed on the Official Outlander Podcast how Jamie’s ring for Claire underwent various creative transformations before the creators decided on a key fashioned into a wedding band.

Moore stated on the Official Outlander Podcast: “In the book, the ring was just a ring like any other. It had no deeper meaning. It was just a ring. But for this episode and for dramatic purposes, the ring felt like it should have meaning and shouldn’t just be a ring.”

Costume designer Terry Dresbach, who also appeared on the podcast episode, revealed: “This is what Ron pitched to me: a nail. He pitched to me a nail for the ring and I’m like, ‘What are you insane? You can’t have a nail.'” She continued: “So I started designing nail rings. Really, really terrible.”

Moore revealed he desired an object that could be taken to the blacksmith and crafted into a ring, with Dresbach subsequently devising the concept of a key to represent Claire unlocking Jamie’s heart.

“Then at least he was giving her something that was special and it is the key to my heart reference, so it addressed what [Moore] was looking for, which is something terribly sentimental and beautiful, and I knew we could do more with a key,” Dresbach explained.

Dresbach confessed there were “millions of rings” and “millions of designs” whilst she was attempting to craft the perfect one for Claire, expressing her adoration for the piece she eventually produced for the programme.

Another significant alteration from the Outlander novel to the television adaptation for the wedding episode concerned where Claire and Frank Randall (Tobias Menzies) exchanged vows.

The show’s creators also sought to establish a stark contrast between Frank and Claire’s wedding and her ceremony with Jamie. “In the book, the church [Jamie and Claire] get married in is the same church Frank and Claire get married in. Now, clearly in our version of events Claire and Frank get married in an impromptu way because I wanted a contrast between her wedding now and her wedding in the 20th century,” Moore elaborated.

Moreover, the series also depicted Frank and Claire visiting Castle Leoch in the 20th century, before she resided there after passing through the stones, leading the creators to opt for different venues for the two weddings.

“In our version, it would have felt repetitive. In the book, it was special because it was the only time it had happened. We decided not to do that because it had already happened earlier on in our show,” Moore added.

A significant divergence between the books and the TV series was Claire’s wedding dress, which was gold or brown in the novels and procured from the inn keeper’s wife.

Dresbach disclosed that following the nail ring debate, Moore proposed the idea of the wedding dress in the series being sourced from a local prostitute.

In response, Dresbach retorted: “Are you f***king crazy? First you’re going to give me a nail and now you’re going to give me a dress of a w****?”

Moore confessed he “went away and thought about it” and devised a solution: the dress was gifted by an aristocrat to the brothel as a form of payment.

Dresbach expressed her satisfaction with this version of how Claire’s wedding dress came into being, stating it “actually worked” and she could “buy the story”.