Late Shift: The Shocking Movie That Could Change How You See Nurses Forever

A Swiss film about a nurse pushed to her limits one night is being praised for the picture it paints of treacherously underfunded healthcare. The director talks about the ‘heart-pounding’ story that inspired her

“You’re used to getting the physicians as the heroes and then in the backdrop a nurse might hang an infusion bag or drink a coffee or have an affair with the senior doctor,” Benesch says. “Before this it wasn’t clear to me how much of the actual medical responsibility rests on nurses’ shoulders.”

Benesch, who trained at London’s Guildhall School of Music & Drama, said she spent several shifts trailing real nurses at a Swiss hospital to learn the “choreography” of interactions between staff and patients, and the manual skills of prepping a syringe or taking blood pressure. “I wanted real nurses not to be able to tell the difference between me and a professional,” she says. “I just hope people aren’t scared off by a film with subtitles because the story is absolutely universal.”

Late Shift has stoked heated policy reform debates and proved a critical and box office success in German-speaking Europe, even besting the latest Bridget Jones movie in Swiss cinemas.

At the world premiere at the Berlin film festival in February, several nurses were invited to appear in their uniforms on the red carpet and take the stage after the screening for a round of applause. Days before Germany’s general election, some held #wirsindfloria (We Are Floria) signs.

One of those guests was Ingo Böing, 47, who worked in hospitals for a quarter century and is now on staff at the German Association of Nursing Professionals, which lobbies for better conditions for care workers. “It was incredibly moving,” he says of the film gala. “Watching several of the scenes I thought ‘Wow, that’s really how it is.’”

Böing says Late Shift does a convincing job depicting the “vicious circle” of nursing, in which people working at the absolute limits of their strength call in sick at short notice, leaving those who show up for duty with an even more daunting task. “It’s that feeling of trying to meet so many needs at once and not managing,” he adds.

He says waiting lists like those used by the NHS in Britain, although frustrating for patients, would help hospitals in Germany better prioritise while keeping medical staff from getting overstretched.

Franziska Aurich, 28, who works on a cancer ward at Berlin’s Charité hospital, also found the film “very close to reality”. Asked what she’d advise Floria, Aurich says: “I would say go back to work tomorrow because like her I can’t imagine doing anything else with my life. But join a union, so you don’t have as many shifts like this one.”

Volpe, who divides her time between Berlin and New York, says she was gratified to see nurses going in groups to see the film, and hopes it will make the rest of the audience into better patients. “Nurses should be at the very top of our social hierarchy but we live in a world where it’s just the opposite,” she says. “This film is a love letter to the profession.”

While the film is set in Europe’s creaking but still intact social infrastructure, Volpe said she saw in the US where Donald Trump’s swingeing cuts to Medicaid, which mainly serves poor and disabled people, threatened to hurt the most vulnerable. “You see a great cruelty in all these measures,” she says.

“Elon Musk said he saw empathy as the biggest problem of our time which is of course completely monstrous. The least an artist can do is to push back against that. Sooner or later we’re all going to be dependent on that person standing by the bed.”

 Late Shift will be released in the UK and Ireland on 1 August

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